The Happening thrived not, as its name may suggest, on spontaneity per se, but rather on the brief and unexpected nature of their occurrence. Sigmar Polke, Bunnies. dazu Ulf Jensen, „Vehikel“, in: Marion Ackermann, Isabelle Malz (Hrsg. 7000 Oaks by Joseph Beuys, 1982, via Tate, London. Joseph Beuys, Fat Chair. This must be the root of reactions to this action, and is why my technique has been to try and seek out the energy points in the human power field, rather than demanding specific knowledge or reactions on the part of the public. It is from this experience that Beuys crafted the origin story of himself as an artist. Ten years later, Joseph Beuys would once again stir up both interest and controversy with his most famous (or infamous, depending on who you ask) performance art piece ever. Regardless of its still-roiling controversy, As Beuys aged, he began to broaden his field of interest even more. Einleitung. From this fictional tale, Beuys would derive most of the allegories and symbols that would become definitive of his art style. Beuys setzte sich in seinem umfangreichen Werk mit Fragen des Humanismus, der Sozialphilosophie und Anthroposophie auseinander. Joseph Beuys hat bis zu seiner Krise 1955 – 1957 Plastiken und Skulpturen im traditionellen Sinn hergestellt. Joseph Beuys saw himself as a modern shaman, holding the key to the secret significance of the world around him. The actions of all of us are influenced by the structural characteristics of the societies in which are brought up and live; at the same time, we recreate (and also to some extent alter) those structural characteristics in our actions” (pp.…, The market for art is bigger than ever and it needs the artist to give its best. a master of compelling performance pieces; he regarded teaching as an essential element of his work as an artist. 1. According to Joseph Beuys, his plane crashed in the Crimea (a strip of Ukrainian land, often the subject of territorial battles), where he was discovered by the Tatar tribesmen and nursed back to health. Staged in the heat of the, , the coyote represents the long-standing Native American mythology of the coyote as a trickster spirit and a harbinger of changes to come. As Joseph Beuys expanded his mindset into the realm of sociology and conceptualism, his conceptual art became more indistinguishable from organized political action. A major figure of the postwar German avant-garde, Joseph Beuys viewed art as a vehicle for social change. Synthèse de l’art de Beuys, Plight, créée à l’automne 1985 à Londres, pour la Anthony d’Offay Gallery, est née d’une réponse à la nuisance sonore que devaient causer des travaux programmés dans l’environnement de la galerie. [/ref], Joseph Beuys est incontestablement l’une des figures artistiques les plus emblématiques de l’art de la seconde moitié du 20e siècle. Analyse 2.1 Der erweiterte Kunstbegriff und die soziale Plastik 2.2 Die Person Joseph Beuys 2.3 Beuys und die Figur des Schamanen 2.4 Materialien. In Beuys’ accounts, the tribesmen healed his body by wrapping his wounds in fat and kept him warm by enveloping Beuys in felt. At one point, Beuys was involved in an art performance (entitled the, ) that advised people on how to effectively utilize their vote and hung posters which encouraged German citizens to organize political discussion groups about, In the 1970s, the political discussion centered itself around environmentalism. A philosopher to the core, Beuys was first and foremost a producer of thought, and from those deep thoughts were to come, almost as afterthoughts, his artworks. While his early works, such as How to Explain… and I Like America… engaged with social structures and philosophical thought in relation to politics, the German artist imagined his work growing larger, less visible — work done in the very framework of thought. He is remembered as one of the most influential artists of the 20th century, with an eclectic oeuvre spanning media and time periods. .” Between his mythical backstory, his strange treatment of physical space and time, and the almost unsettling manner in which he carried himself from place to place, Beuys was often said to be more like a spiritual guide than an artist. He is remembered as one of the most influential artists of the 20th century, with an eclectic oeuvre spanning media and time periods. Das Rudel (The pack) - Joseph Beuys „Die Zukunft, die wir wollen, muss erfunden werden, sonst bekommen wir eine, die wir nicht wollen.“ ―Joseph Beuys von Benedikt Böhnlein und Julius Zettelmeier Gliederung 1 Künstler 2 Werkanalyse 2.1 Aufbau 2.2 Interpretation 2.3 Geschichte 3 exhibition series, and seen his own retrospective in the Guggenheim. Joseph Beuys, German Sculptor and Performance Artist. Untitled Photograph by Joseph Beuys, 1970, via Fine Art Multiple. Joseph Beuys found a unused, wedge-shaped space between the pedestrian underpass to the Schlossplatz (which was called Hindenburgplatz until 2012) and the ramp of a university lecture hall. Joseph Beuys would come to develop a performance style over the course of his career that demanded much mental and spiritual work from the viewer, as he describes: “The problem lies in the word ‘understanding’ and its many levels which cannot be restricted to rational analysis. In fact, Beuys was a member of the, at age fifteen and volunteered to fly in the. Zusammenfassung. Beuys had flown in for an important meeting: Awaiting the artist in the enclosed, if well-lit, gallery space, was a live coyote. His performance art "actions" were shamanistic experiences incorporating ritualized movement and sound, as well as non-traditional and even repulsive materials such as fat, felt, honey, blood, and dead animals. This profession began to mediate productions and exclude other agents that were not part of the basis while decoding the knowledge as their own.…, Theorists such as, Emile Durkheim and Aguste Comte, known as the “fathers of functionalism”, were able to apply this theory directly to society and fought to justify it. Records state that Beuys also remained in military service until the surrender of the Third Reich in May of 1945. d’envergure » sur l’œuvre de Joseph Beuys, bien qu’elle se situe en deçà d’une analyse historique proprement dite et présente l’œuvre de l’intérieur selon des clefs de lecture exposées dans leurs moindres détails et propres à l’auteur. By the time he died of heart failure in 1986, he had collaborated with such major figures in the art world as. 3. Joseph Beuys. Joseph Beuys found a unused, wedge-shaped space between the pedestrian underpass to the Schlossplatz (which was called Hindenburgplatz until 2012) and the ramp of a university lecture hall. Germany was to struggle through both World War I and World War II in the first two decades of Beuys’ life, not finding peace until the latter half of the 1940s. Joseph Heinrich Beuys, né à Krefeld le 12 mai 1921 et décédé le 23 janvier 1986 à Düsseldorf; artiste allemand qui a produit nombre de dessins, sculptures, de performances, de vidéos, d'installations et de théories, dans un ensemble artistique très engagé politiquement. I try to bring to light the complexity of creative areas.”, I Like America and America Likes Me by Joseph Beuys, 1974-1976, via Medium. He was carried in and out of the gallery wrapped in felt, allegedly unwilling to walk upon the grounds of a United States so unjust. En kunstner uden kunst, der ikke lod sig fastholde, men havde et fast blik på sin samtid . … engaged with social structures and philosophical thought in relation to politics, the German artist imagined his work growing larger, less visible — work done in the very framework of thought. , the German artist dedicated himself to living for a week in an American gallery with a live coyote. In one of his most famous (and controversial) art pieces, How to Explain Pictures to a Dead Hare, onlookers watched through a small window as Joseph Beuys carried a dead rabbit around an art gallery and whispered explanations for each of the artworks into its rigid ear. The social change to be addressed includes issues such as poverty, discrimination, unemployment, among others. Artwork page for ‘Joseph Beuys. This includes representing the vulnerable and oppressed individuals in the society. Further, this could lead research to study individuals that would reflect the society they live in rather than reflecting who they truly are. I see that in this sense craft and fine art are no different. et reprod. The Berlin Wall art of the 1980s was an artistic representation of the events of the Cold War in Europe. almost always focused around an audience witnessing the German artist himself completing some action. Taking place in 1965, twenty years after the end of the Second World War and the beginning of Beuys’ entrance into the art world, Beuys was himself the German avant-garde. Beuys’s relationship with the authorities at the academy was always stormy, and he was dismissed in 1972. Of course, this was to some degree as Joseph Beuys intended. Le travail de Joseph Beuys est un questionnement permanent sur les questions de l'humanisme, … Meanwhile, he (p65) believes that culture industry functions as a paradigm or a guideline that used to help make sense of those “unknown at outside”, hence, it is not an individual choice but…, Introduction So sieht das neue Hinweisschild am Elternhaus von Beuys aus. ), Joseph Beuys, Parallelprozesse, München 2010, S. 220. This artwork is not available to buy as a custom print About this artwork. When you perform emotional labor and bring your art, this benefits your boss and your company. Sigmar Polke, Watchtower series. Erkennbar sind die Bäume, die zum Kunstwerk gehören durch eine Basaltstele daneben. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. ... Joseph Beuys " La peau", cit. in Art History from the University of Washington, Seattle, with a focus in Contemporary Art Theory and Architecture. Joseph Beuys erfasst in seinem erweiterten Kunstbegriff keinen rein theoretischen Ansatz, sondern eine Grundformel des Seins. Abstract Expressionism and the CIA: Waging A Cultural Cold War? Entitled. Joseph Heinrich Beuys [ˈ j o ː z ɛ f ˈ h a ɪ̯ n ʁ ɪ ç ˈ b ɔ ʏ s] [1], né le 12 mai 1921 à Krefeld, sur la rive gauche du Rhin inférieur, et mort le 23 janvier 1986 à Düsseldorf, est un artiste allemand qui a produit nombre de dessins, sculptures, performances, happenings, vidéos, installations et théories, constituant un ensemble artistique très engagé politiquement. Caroline Tisdall (Curator), Joseph Beuys, London, 1979, 185 (illus.). Joseph Beuys had the need to get a deep understanding of the, Johannes Stüttgen was born in 1945, studied theology at the Westfälische Wilhelms-Universität with Joseph Ratzinger and from 1966 to 1971 at the Düsseldorf Academy of Fine, I got to learn a little bit of history in the art community. The value of social justice also has an ethical principle which states that it is the duty of social workers to challenge social injustice. When not reading or writing, she dedicates her time to interdisciplinary practice in visual arts, music, film, and critical theory. A major figure of the postwar German avant-garde, Joseph Beuys viewed art as a vehicle for social change. Joseph Beuys war einer der berühmtesten deutschen Nachkriegskünstler, der nicht nur künstlerisch, sondern auch gesellschaftspolitisch aktiv war. Joseph Beuys war einer der berühmtesten deutschen Nachkriegskünstler, der nicht nur künstlerisch, sondern auch gesellschaftspolitisch aktiv war. Joseph Beuys, (born May 12, 1921, Krefeld, Ger.—died Jan. 23, 1986, Düsseldorf), German avant-garde sculptor and performance artist whose works, characterized by unorthodox materials and ritualistic activity, stirred much controversy.. Beuys was educated in Rindern, Ger., and served in the German air force throughout World War II.In 1943 his plane … by Allan Kaprow, photographed by Ken Heyman, Ten years later, Joseph Beuys would once again stir up both interest and controversy with his most famous (or infamous, depending on who you ask) performance art piece ever. For example, in his groundbreaking 1965 performance … Some argue that the work is too reductivist, and others posit that it is offensive and tone-deaf in representing the indigenous peoples of America as a wild animal. Richement illustrée et annotée, cette somme représente sans conteste « une monographie d’envergure » sur l’œuvre de Joseph Beuys, bien qu’elle se situe en deçà d’une analyse historique proprement dite et présente l’œuvre de l’intérieur selon des clefs de lecture exposées dans leurs moindres détails et propres à l’auteur. Emotional labor is the stuff you do for free. Il s’agit de Infiltration homogène pour piano à queue, 1966 de Joseph Beuys. The Essential Joseph Beuys by Alain Borer (Thames & Hudson) has been reissued to commemorate the 30th anniversary of Beuys’s death. His original plan was to fill the dead space with beeswax, but this project could not be carried out for financial and organisational reasons. Le récit de son incorporation dans l’armée de l’air lors de la Seconde Guerre mondiale constitue le point de départ de la mythologie qui traverse tout son œuvre. Fettstuhl [Fat Chair] Zoom in to this image. Joseph Beuys was born in May of 1921 in Krefeld, Germany, a small town far to the west of the German capital, Berlin. Around the globe, the poor human treatment of the planet was reaching the forefront of many political conversations, with books like Silent Spring gaining record amounts of traction among the American people. , and to right itself with the indigenous peoples of the land. Joseph Beuys (BOYSS, German: [ˈjoːzɛf ˈbɔʏs]; 12 May 1921 – 23 January 1986) was a German Fluxus, happening, and performance artist as well as a painter, sculptor, medallist, installation artist, graphic artist, art theorist, and pedagogue.. His extensive work is grounded in concepts of humanism, social philosophy and anthroposophy; it culminates in his "extended … While the felt is an archetypal symbol used by Beuys to represent protection and healing, the coyote was a new choice for Beuys. Analyse. « Phänomen Beuys », Magazin Kunst, n°50, 1973, pp. Social work has taken an evidence-based approach and workers have based all of their research on evidence which consequently created the Generalist Practice (Seabury, Seabury, Garvin, & Garvin, 2011).…, They are expected to use their knowledge, skills and values to help and serve other people beyond their self-interest without any expectations of returns. Gerhard Richter, The … Né en 1921 en Allemagne, Joseph Beuys est un artiste qui a insufflé à son œuve une vocation thérapeutique visant à guérir l'humanité. Le travail de Joseph Beuys est un questionnement permanent sur les questions de l'humanisme, l'écologie, … Carrio splits her writing into two parts that serves as a case study. Er legt sofort Widerspruch gegen die fristlose Kündigung ein und lehrt weiter. While his early works, such as. In this piece, Beuys deposited seven thousand concrete pillars in front of the Reichstag in Berlin. Joseph Beuys, Feet Washing and Conceptual Performance. Crimean Tatar woman, pre-WWII deportation, Nevertheless, Joseph Beuys’ mythological telling of his own near-death experience marks the first official foray of the German artist into. He called this style of work “social sculpture,” in which the entirety of society is seen as one massive artwork. In one of his most famous (and controversial) art pieces. A precursor to the still-thriving Fluxus movement, anything that challenged expectations and evaded explanation could be considered a Happening, and their implementations and styles varied greatly. A young Joseph Beuys, 1940s, via Fundación Proa, Buenos Aires. Richement illustrée et annotée, cette somme représente sans conteste « une monographie d’envergure » sur l’œuvre de Joseph Beuys, bien qu’elle se situe en deçà d’une analyse historique proprement dite et présente l’œuvre de l’intérieur selon des clefs de lecture exposées dans leurs moindres détails et propres à l’auteur. He was carried in and out of the gallery wrapped in felt, allegedly unwilling to walk upon the grounds of a United States so unjust. There he stayed for twelve days until he could be returned to a military hospital to recover. 299 Browse other works by Ute Klophaus Ute Klophaus Joseph Beuys Joseph Beuys in the Action 'Celtic Edinburgh' 1970, printed 1997 434.1997.1. Nor was Beuys missing for any period of time after the crash; medical records state that he was transported to the medical facility the same day. The practice of social work focuses on the interactions between individuals and their environments to help promote change. Joseph Heinrich Beuys [bɔʏ̯s] (* 12. Joseph Heinrich Beuys [ˈ j o ː z ɛ f ˈ h a ɪ̯ n ʁ ɪ ç ˈ b ɔ ʏ s] [1], né le 12 mai 1921 à Krefeld, sur la rive gauche du Rhin inférieur, et mort le 23 janvier 1986 à Düsseldorf, est un artiste allemand qui a produit nombre de dessins, sculptures, performances, happenings, vidéos, installations et théories, constituant un ensemble artistique très engagé politiquement. Joseph Beuys a la tête recouverte de miel et de feuilles d'or. Joseph Beuys, le mitrailleur arrière, est retrouvé, enseveli sous la neige, par des nomades tatars. He left a trail of dried flowers, felt hats, sticks and fat, bones and blood, mud, sledges, stuffed animals, torches and toenail clippings in galleries of modern art around the world as evidence of his passing presence. Interpretation und Selbstinterpretation verurteilte der Künstler allerdings als 'unkünstlerisch', weshalb er seine Werke auch nicht interpretiert hat und sie auch für andere schwer zugänglich sind. Très marqué par les sciences de l'homme, anthropologie, ethnologie, sociologie,… Joseph Beuys was a German-born artist active in Europe and the United States from the 1950s through the early 1980s, who came to be associated with that era's international, Conceptual art and Fluxus movements. Das mit Nelken und Rosen bestückte Revolutionsklavier­, soll an die ersten … Foto: Jochmann, Dirk (dj) Analyse Krefeld Die längst überfällige Kennzeichnung des Beuys … He conceptualized creating an open-ended art form that could engage viewers in an ongoing framework of conversation, revolving around spirituality, existence, and politics. Joseph Beuys influenced many artists with his ideas and how a person should master analyzing art instead of just looking. Because of the haunting nature of his artistic practice, Beuys has received a number of labels as an artist. In this piece, Beuys deposited seven thousand concrete pillars in front of the Reichstag in Berlin. He was a profoundly charismatic and inspirational professor at the Düsseldorf Academy of Art, where he taught a generation of German artists. Das Kunstwerk „7000 Eichen – Stadtverwaldung statt Stadtverwaltung“ von Joseph Beuys verteilt sich im gesamten Stadtgebiet und gestaltet die Stadt auch lange nach seiner Entstehung zur documenta 7 (1982). Sa naissance commence déjà par une fiction. Beuys was a Fluxus, happenings and performance artist, as-well-as forging a fluency within mediums such as; painting, sculpting, installation and graphics. Joseph Beuys' Aktion "Wie man dem toten Hasen die Bilder erklärt" im Licht der Pränatalpsychologie. However, they suggest that this is due to the demand of consumers at a cosmopolitan level, few consumers show resistance to culture industry and it is also suggested by Gramsci, with reference to the concept of cultural hegemony, the mass would not be able to make an antagonism since it arises from the consumer and reinforced by them unwittingly. Performancekunstneren Joseph Beuys (1921-1986) var fra et andet sted. Every sculpture, painting, sketching, and performance will always have a meaning behind them. The social work profession upholds social justice, respect for diversities, and human rights (IFSW, 2016). How to Explain Pictures to a Dead Hare (German: wie man dem toten Hasen die Bilder erklärt) was a performance piece enacted by the German artist Joseph Beuys on 26 November 1965 at the Galerie Schmela in Düsseldorf. Joseph Beuys a, tout au long de son engagement artistique, adressé un message ferme et volontaire pour la réalisation d’un futur qui soit régit par le rapport à la création. In her writing “The Hunger games: Architects in danger”, she views the architect as a worker with connection to social relation, similar to Deamer. In response to this ecological unrest, Joseph Beuys debuted an art piece entitled 7000 Oaks. As innovative as Beuys is, this work has received just criticism for being controversial art. 29-46. Seiner Vorstellung nach, ist jeder Mensch zur Kreativität fähig, denn jeder Mensch besitzt ihm eigene schöpferische, die Welt bestimmende Fähigkeiten. . Among the genres into which Beuys’ art is placed are Fluxus, Happenings, and even Neo-Expressionism, for his disorienting use of space and time as an invocation of memory (much like Beuys’ pupil, Anselm Kiefer). Voici quelques extraits en vidéo et photos ainsi qu’une explication du déroulement de l’action dans son contexte. In 1940, the story goes, 19-year-old Joseph Beuys volunteered for the Luftwaffe. Social work is a profession that promotes social change, social development, and the empowerment of people. Emphasizing communication and patience while interacting with the semi-feral coyote. Beuys's diverse body of work ranges from traditional media of drawing, painting, and sculpture, to process-oriented, or time-based … Joseph Beuys completed these and many other “social sculptures” as he reached the end of his life. His work is known for its extensive use of ideology and social philosophy, which he used as a commentary for Western Culture. Beuys regarded teaching as an essential element of his work as an artist. i seiner selbst, seiner Umgebung und scl ner Ik1. There are several similarities between the symbolic interactionism and functionalism theories. Mehrfach wurde Beuys auf diese Nähe angesprochen, aber er hat sich eindeutig von Duchamp distanziert. Entitled I Like America and America Likes Me, the German artist dedicated himself to living for a week in an American gallery with a live coyote. Joseph Beuys was a German Fluxus and multimedia artist. ... Joseph Beuys " Infiltration homogène pour piano à queue", cit. Joseph Heinrich Beuys, né à Krefeld le 12 mai 1921 et décédé le 23 janvier 1986 à Düsseldorf; artiste allemand qui a produit nombre de dessins, sculptures, de performances, de vidéos, d'installations et de théories, dans un ensemble artistique très engagé politiquement. It is from this experience that Beuys crafted the origin story of himself as an artist. Revolutionsklavier von Joseph Beuys Das Kunstwerk „Revolutionsklav­ier“ von Joseph Beuys wurde 1969 für einen Rundgang in der Kunstakademie Düsseldorf gestaltet, 1972 in der Kunsthalle Düsseldorf ausgestellt und 1982 im Museum Abteiberg durch Joseph Beuys komplett neu inszeniert. That will influence the community hopefully in a positive to have the people eyes open to see that the world isn’t a perfect place. Around the globe, the poor human treatment of the planet was reaching the forefront of many political conversations, with books like, gaining record amounts of traction among the American people. Joseph Beuys & How to Explain Pictures to a Dead Hare. Beuys criticized America for its violent actions, both past and present, and some interpret this performance as a challenge to the United States to confront its racist pasts, and to right itself with the indigenous peoples of the land. His performance art "actions" were shamanistic experiences incorporating ritualized movement and sound, as well as non-traditional and even repulsive materials such as fat, felt, honey, blood, and dead animals. In class, we made the assumption that Symbolic Interaction can be a “daily staged behavior...” (Farganis, 2011) The theory itself involves the act of interacting with others and responding to the interaction in appropriate ways.…, Thoreau practically lived nonconformity during his Walden Pond experiment; on the other hand Emerson mainly preached about it. Crimean Tatar woman, pre-WWII deportation, via Radio Free Europe / Radio Liberty. Part Pop Art, part Fluxus, part Neo-Dada, part Punk, the style came... and multimedia artist. J’ai choisi Joseph Beuys, par affection pour ma prof d’histoire de l’art, Nadia, après l’accouchement dans la douleur d’un exposé surréaliste sur ce curieux personnage! From this fictional tale, Beuys would derive most of the allegories and symbols that would become definitive of his art style. Gerhard Richter, Betty. This is the currently selected item. See available prints and multiples, sculpture, and works on paper for sale and learn about the artist. In fact, Beuys was a member of the Hitler Youth at age fifteen and volunteered to fly in the Luftwaffe at age twenty. Beuys criticized America for its violent actions, both past and present, and some interpret this performance as a challenge to the United States to. For three days, he spent eight hours a day alone with the animal (borrowed from a nearby zoo), sharing with it felt blankets and piles of straw and newspapers. Au pied droit de Beuys est attachée une longue semelle d'acier contre laquelle est déposée une semelle de feutre de même dimension. Read more for an in-depth look at his controversial life and career. Analyse. There were wars and unfair rights during Beuys period. He conceptualized creating an open-ended art form that could engage viewers in an ongoing framework of conversation, revolving around spirituality, existence, and politics. It may seem like a large job for one or two people, but if everybody worked together they could change society for the better and make the world a more creative and independent…, Considering then that many famous artists such as Rembrandt have worked from such ideas long established before they began to paint, it does not seem fit to use the term craft to create a definition between an object made from skilled hands (by either say a potter or a painter) and a ‘legitimate’ creative work that has its roots in the creators imagination. Yet German artist Joseph Beuys did just that, and much more, in his vibrant lifetime. , even verging on performance. , 1965, in Schelma Gallery, Düsseldorf, via Phaidon Press. Richement illustrée et annotée, cette somme représente sans conteste « une monographie d’envergure » sur l’œuvre de Joseph Beuys, bien qu’elle se situe en deçà d’une analyse historique proprement dite et présente l’œuvre de l’intérieur selon des clefs de lecture exposées dans leurs moindres détails et propres à l’auteur. Moreover, similar to Ardono and Hokheimer’s idea, Gunster (2000, p60) claims consumers are aware how the culture industry operates, yet they still imminently seek comfort from it in order to release the pressure built in the workplace. Voici quelques extraits en vidéo et photos ainsi qu’une explication du déroulement de l’action dans son contexte. Mai 1921 in Krefeld; † 23. I like America and America likes Me est une performance que Joseph Beuys a réalisée à la galerie René Block à New York en 1974. Joseph Beuys completed these and many other “social sculptures” as he reached the end of his life. arrived by plane in New York City, where he was met by assistants who wrapped him in a large piece of felt, placed him in an ambulance, and delivered him to the René Block Gallery in SoHo. Analyse. Arguably his first foray into mythicism and artistic performance, the German artist’s tale of his own historic rescue has been debunked as no Tatars were known to be living in the area at the time of Beuys’ crash. Joseph Beuys. Analyse. Seine Studenten veranstalten währenddessen Hungerstreiks und Protestzüge durch die Düsseldorfer Altstadt. In the film, one of the most important arguments is that street art is not about the money, or the fame. In response to this ecological unrest, Joseph Beuys debuted an art piece entitled.